|A sunrise at Telangana.|
It is only in Hyderabad that someone like Parushuram Singh can sponsor a Biriyani and listen to the Telangana VS Seemaadra argument initiated by someone like Upender Apparasu. If Parushuram had anything remotely to do with any Government in India, in present times he could have initiated a case of sedition against Upender. Elavarty Satya Prakash and I, who had wry smiles on our faces during this discussion, would also be liable, then.
Fortunately, Praushuram and Upender are just two old colleagues from the film world - local Hydrabadies. We were sitting in a cozy roof top hotel at Hyderabad when we were having this discussion and after attending a screening at Lamakaan of my recent film ‘Haale-Kangaal’ (The Bankrupts).
Lamakaan is a cultural hub in Hyderabad. Recently, there were murmurs that it would be asked to shut down, allegedly due to parking issues that were created when culture shows happened here. But a swift signature campaign ensured that it stays, doing what it does the best – providing a space for cultural expression which otherwise would not have been heard.
It was originally built as a house. But the owner does not stay there anymore. Exhibitions, stage shows, musical performances, film shows, poetry recitations etc... are held instead. The venue is offered free for anyone who does not charge the viewers.
There are four curators who manage the show – for four broad disciplines. I was dealing with Sumanaspati Reddy, an employee of All India Radio. Among other things, Sumanaspati curates film sections. He was introduced to me by Elavarty Satya Prakash.
|Satya Prakash's book on Cinema|
Satya Prakash is an Assistant Professor at the Sarojini Naidu School of Communication dealing with the Documentary Course at the University of Hyderabad. I was asked to conduct a small workshop for the documentary course students.
Yes, when I went there, the students had just ended a boycott of classes on the Rohit Vemula issue. Rohit had ended his life in a most tragic way. The question of his Dalit identity was mentioned in his suicide note. The students have alleged discrimination.
|Shop Com at UOH|
Though the strike had ended, the protest was still on - so was a whiff of counter protest. There was anger, sadness, anguish, confusion and fear lurking around in the campus. A professor told me that there is no chance to know who is a student, who is not; who is an informer and who is not.
In the evenings, after four, students gather around in the shopping area, what is called the Shop Com. It is also the main area of the Rohit Vemula protest. Apart from students, possible plainclothes policemen, watchmen, stray animals, coffee cups and Karachi Biscuits, I also bumped into the likes of Sheetal Sathe, Anand Patwardhan, Deepa Dhanraj and Navroze Contractor – people of my ilk.
Jawaharlal Nehru University (JNU) student union president Kannaiyya had just been arrested and there was considerable buzz around it. Was the sedition charges applied on him really needed? Did he really shout those anti-national slogans that the police and the press said he did? Was sedition law, first used by the British to curb the freedom fighters, itself redundant in present times?
There were fifteen Mass Communication students in the Documentary Course. I led them to an actuality field trip to the Shop Com area as a part of the workshop. Actuality field trips result in observations and structured audio-visual scripts. The students were then sent with cameras to the same area, so that they film and edit what they observe. It was stimulating; I did the exercise myself. It was impossible to keep Rohit Vemula out of Shop Com – for me as well as for the students.
|Post 'BV Karanth: Baba' screening at UOH|
Satya Prakash and his Communication school also hosted the screening of ‘Haal-E-Kangaal’ (The Bankrupts) at Lamakaan on the 14th of February, 2016; along with another documentary of mine, ‘Lohit Diary’. The previous day, on the 13th, I had a University level screening of ‘BV Karanth: Baba’. My day was made when Satyabrata Rout, a long time student of BV Karanth and presently a faculty at the Drama School at University of Hyderabad, agreed with me that the film on Karanth was a portrayal of the man himself seen as a metaphor and a myth.
Raj Kumar Roy was out student union leader at FTII when we had gone on a strike against the rustication of a few students way back in 1987. We had to leave for Mumbai and then head to Delhi – the very second day of my joining of the course. We, the entire student body, stayed in Delhi for almost a month. Roy was there till the end; he was someone we looked upon for leadership.
Roy now teaches the Art of Films at Rama Naidu Film School in Hyderabad. He was very keen to watch ‘Haal-e-Kangaal’. He is also a keen student of Film History and therefore he also wanted his students to see ‘BV Karanth:Baba’. On the 10th, I had two back to back screenings of these films at the film school at Jubilee Hills.
|Raj Kumar Roy|
I was meeting Roy after twenty five years. Roy was born in Benaras, he studied in Mumbai, Kolkatta and Pune. He has worked in Delhi and Chennai. He was on the beaches of Tamil Nadu when the Tsunami hit the state. After going through a series of health issues and a near death experience, Roy is now heading the Direction Department at his film School. In his resilience, he still inspires.
Roy, Rohit, Shop Com and Lamakaan – for me, this was what the Actuality Trip to Hyderabad was all about.